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September 22, 2015

Simply Being

“Give ear, O heavens, and I will speak; and may the earth hear the words of my mouth.”  Devarim (Deuteronomy) 32:1

Erev Yom Kippur. It is now late morning as I sit in my garden to reflect. There is a waft of sweet guava. A bird sings. A gate creaks.

The roads are sleepy quiet as this day is a holiday in Israel. No school and no work for most. People take this day to prepare for the fast, cooking the festive meal before the fast begins, calling friends, spending time with family and visiting relatives’ graves.

It was 5:45 a.m. this morning when Amir, Talya and I stepped into the car. The sky was still dark and the air fresh as we drove to the beach. It was a gentle morning, the waves soft and quiet.

We ran the length of the beach, hugging the shore where the sand is packed. No earphones today; my feet stepped to the waves slipping rhythmically to the shore.

We then took out our machzorim to do tashlich, a prayer to ask for forgiveness. We looked out to the horizon, where sea meets sky and Talya said a personal prayer to G-d aloud:

I love you. I love your world. I love your creations. I love it all, the good and the bad, the laughter and the tears. The sea and the sky, the birds and the trees. When I sit in the cool, clear, fresh water I remember a promise you made thousands of years ago. You put the sky and the sea as witnesses to that promise. The sun never fails to rise every single day to light up the world once more even after we're sure it abandoned us for good. The waters that crash on the shore are always pulled back into the place from which they came. They may not resurface in the same shape or size, but they will always be part of the sea. 

We brought some bread to throw into the sea and I felt a little sheepish doing this on such a public beach, imagining some environmentalist lecturing me on the havoc wreaked in the marine system because of these breadcrumbs. Instead, a woman came up to us and asked what we were doing, standing in the waves with our prayer books.

“Tashlich,” we replied.

“I want to do this too. Can I join you?”

We gave her some bread and this woman soon realized her Hebrew was superior. She took over the reading for us.

We threw our breadcrumbs to sea, as if we were discarding our sins, casting them into the water, watching them swirl, sink.

“Besorot tovot,” she wished us. Only good things.

As we cast our bread, I looked out and saw a large delegation of swimmers coming towards us. They soon emerged at our feet. Turns out it was the local Ra’anana triathlon club. This morning they ran to the beach, swam and were about to run back.

They gathered on the shore and I saw a man with a kippa, one of the triathletes, reading from a prayer book. They all listened intently, threw a piece of bread into the sea, embraced, then started to run the 10 kilometers home.

Here were two occasions of what one could label secular Jews reaching out to Hashem and touching their souls.

According to Dov Lipman, who recently wrote in the Times of Israel, “The era of “secular” Israeli Jews is over and recognizing this will help us take the crucial first step towards the fulfilment of what should be our ultimate goal: an Israel in which levels of religious observance and piety are between each person and God, and in which we don’t have a compulsion to identify what type of Jew we are but can simply be “Jews.”

Living in Israel, I see examples of this every day. We are a soulful people and we want to connect and be connected, just like the sea and the sky, the heavens and the earth. We strive to make the two meet.

After tashlich, we swam out and floated on our backs. Our arms were limp, our legs buoyant. The sun was just peeking over the cliffs, bathing our faces in light.

“Give ear, O heavens, and I will speak; and may the earth hear the words of my mouth.” Moshe’s song that we will read in synagogue this Shabbat addresses the eternal heaven and earth.

We may be small floating specks, but in moments when we let go, allowing the waves to take the lead, giving in, breathing deeply, melting into nature’s rhythm, we become connected and an intrinsic part of the harmony of creation.

Wishes for a G'mar chatima tova and a meaningful fast.


September 9, 2015

Dispirited Dust

Jerusalem, Sep 8, 2015
Soupy, moldy, thick, brooding, dark, moist, dank. This is our weather and the forecast calls for more of the same. I walk outside and feel as if I am entering a wet sauna. I try to breathe deeply, but there is little oxygen to enter my lungs.

Is that the sun or the moon? Is it morning or evening?
The world is silent, still. I look up and can barely make out an orb in the sky. Is this the sun? Or the moon? Is it evening or morning? Time has stopped. The wind has abandoned us, the air all but seeped away.

This thick, damp mush takes me back to a distant memory: an old, creaky attic filled with dusty, moldy furniture, cobwebs, darkness. Or is it a basement with old, wet carpets, dust balls, moist cardboard. Where am I?

Poetic fallacy was a term coined by John Ruskin in the 19th century. In this literary convention, nature mirrors human events. We have read of dancing flowers, moping owls, angry winds and happy larks in poetry.

How about today's morose moon, dispirited dust and lugubrious layers? The Middle East is being smothered by a sandstorm so large, it can be clearly seen on satellites from space.
NASA photo of the sandstorm.

With origins in Syria and Iraq, the massive dust cloud sits 600 metres high, coating Lebanon, Syria, Iraq, Jordan, Egypt’s Sinai, Cyprus and Israel with sand particles, forcing the thermometer to soar to 100 degrees Fahrenheit with humidity levels reaching 85 percent.

The Middle East is shrouded in a foreboding smog and the countries affected all simmer in this thick, unbearable soup together. As we try to catch a breath, the world powers sit from afar and judge us. Their vision is as clouded as the air, our future endangered like the dust particles we are forced to breathe.

If this sandstorm plays in the practice of poetic fallacy, just wait for the next blood moon. That will be on September 28, the last of the four tetrad lunar eclipses. The skies looked similar in 1492, 1948 and in 1967, years that changed the Jewish world forever.

We are now entering a new year and the signs outside are rather brooding.  At least we have front row seats over here in Israel.


A sweet and good year are necessary ingredients in our stagnating soup, so let’s pour them in.
The Tower of David, Jerusalem.

September 2, 2015

A Bumpy Landing


The airplane’s landing was bumpier than I thought. In more than one way. I was returning to Toronto for the first time since my mom’s passing. Living in a far away country had somehow made my loss less real.

When I got up from the shiva in Canada last November and flew back to Israel with a broken heart, a part of my mind filed my mom’s absence to a folder called ‘long-distance relationships.’ In this file, I imagined she would be there as always when I visited Toronto.

She would be counting down the days until our arrival as she always did. She would be so excited to see her growing grandchildren, to give them tearful hugs and just stare at them with love and pride. She would be there for me too as she always was. Patient, soft, gentle, glowing with love. Boundless love that only a mother can provide.

And when the plane’s wheels bumped onto the runway, the tears trickled, then flowed over my cheeks. This landing was my reality check. We, her family who left her to live in Israel, were here. And she was gone.

We took our luggage and drove to my father’s home, no longer my parents’ home. The last time I had been here, it was early winter. My mom was seriously ill and was in palliative care. We were doing 24-hour shifts to make sure she was comfortable and felt loved until it was the end. And so I left. And so I return.

My father hugs us all at the front door.  He marvels over how tall the children are now. I peer over his shoulder and there is no one. Her chair is empty. No novel or reading glasses on the coffee table. No slippers by the front door. She is truly gone.

The following day we all go to the cemetery for her unveiling.  Her grave is covered with a cloth. My father, my brother and I approach the stone, and with trepidation we tug at the covering. It gives way, revealing the stark letters of her name engraved in stone. It is real. Too real. The letters are too deep. These etchings I cannot erase. She is gone from us.

This past year of grieving, I tried to connect with her and invited her to share in my life in Israel. I healed through my hikes, to the silence of foot treading upon the earth, of the infinite feel of rock.

And so she ‘accompanied’ me on my hikes. And on each hike, I picked up a rock or two with the intention that I would bring them to her grave.

And now the day of returning the rocks is here. Each person at the unveiling picks out a rock and I read:

When we visit a Jewish graveside, we place a rock on the grave and not flowers. Why is this? No one really knows the origin of this ancient custom. One theory is that flowers eventually die, but stones do not. Instead they symbolize permanence of memory and legacy.

A second thought regards the Hebrew word for pebble. Tz’ror.  This also means bond in Hebrew. In El Ma’ale rachamim, the prayer we recite at a funeral and today at the grave side, we ask that the deceased be bound up in the bond of life – tz’ror hahayyim. So we place the stones to show we have been there and that the memory of our loved one continues to live on through us.

The rocks that I am passing around are no run of the mill rocks. They have a story and a history.

Since my mom’s passing, I felt a deep loss and emptiness. The only thing that truly gave me comfort and filled me with spirit was hiking. It was my way to be alone in nature and with my thoughts, in the open and the quiet that, for me, signified my mom’s essence.

Hiking became my way to heal. This past winter and spring, I hiked the deep canyons and dry riverbeds of the Eilat mountains, where we crunched over soft red sandstone, and past black, red and green mountains.


Although my mom had passed, I felt she was with me and as I put on my hiking boots I would say “Come on Mommy. Today we’re hiking. I know you think I’m a bit crazy, but you’ll love it.”

Eyes to the ground I would pick up a rock or two on every hike. I found basalt, quartz, granite, flat slate stones, marine sediment rocks and limestone. Some of these stones are millions of  years old.

We also hiked in central Israel, past spring poppies and cyclamens, along where winter rains fill the rocky river beds.

My son Shaya often ran 10 km to the beach, picked up a shell or sea glass for his Grandma and ran home, depositing a prized seashell in front of me. We had my mom in our minds on all our outings and have now brought our tzrorim and konchiot, our treasured pebbles and shells, back to my mom’s resting place.

My mom loved nature. She loved Israel. She loved her family. And we loved her. This is our small way of connecting.

 The day of returning the rocks came. And passed. I am back in Israel and am still in my 12 months of mourning, a time that forgives, allowing the loss to be real and giving us space to  heal. I do not go to weddings or parties. I stay home where I feel I should be.

Tonight my husband is at a wedding. There is singing and dancing and much joy. For me, I still feel introspective. So I sit with my tears, my words, my healing, my very long-distance relationship. And I miss my mom.




August 14, 2015

Exhibit A: Jewish Florence

“Why is a Shabbat table behind glass?” My daughter looks at me in shock, confused.

“How come Shabbat is a museum exhibit?’ my son asks.

My kids are peering at a table adorned with a white tablecloth and two silver candlesticks. Two plastic braided challahs peek out from an embroidered cloth. We are visiting The Great Synagogue in Florence, which is now a museum.

My children are confused as their own living Jewish culture and traditions look like they have been neatly stuck behind a piece of plexiglass for the world to peer in at.

As for me, I recently went through this same queasy feeling when I visited what was left of Prague’s once vibrant 700-year-old Jewish world. Now extinct, there were a few synagogues, a cemetery and a museum with similar exhibits. 

So what happened to Jewish Florence? The community in Florence dates way, way back, being formally established in 1437. The Jewish story here is similar to that of other European Jewish communities: expulsion, forced confinement in ghettos, persecution and destruction.

An abbreviated history of Jewish Florence starts in 1571, when, under the rule of Cosimo de’Medici, Jews were forced to wear badges and to live in a Ghetto.  This lasted until 1799 when Napoleon awarded the Jews civil rights, however, in 1814, when the grand dukes returned to power,  Jews were forced back inside the ghetto. It was only in 1861, when Florence became a part of the kingdom of Italy, were Jews freed from the Ghetto.

After 400 years of living in a Ghetto, being persecuted and banned from entering many professions, Jews finally received equality in the constitution, becoming inspired to build a beautiful, grand synagogue. They did not waste any time, and in 1868, a Florentine Jew named David Levi bequeathed his possessions in order to build the ‘Tempio Maggiore Israelitico.’

This impressive Moorish-style synagogue was built in travertine and pink palmetto stone with a green copper dome that is distinct on the horizon of Florence’s church domes, clock towers and spires. The synagogue’s interior is painted in arabesques of red, blue and gold.


It is a miracle that this synagogue stands after the Holocaust decimated Jewish life in Florence. During the occupation, it was used as a garage by the Nazis and when they retreated, they mined the building.

Most of the Florentine Jews were murdered in the Holocaust, while some were saved by righteous Italian Catholic families.  By the end of the war, only 1600 Jews remained.

And today? There are an estimated 1,400 Jews living in Florence. There is a Chabad here and a progressive minyan.  Given the tight security around The Great Synagogue, most of the Jews must surely walk around incognito.  

In fact, the security around this synagogue was tighter than anything I have ever seen, except for the World Trade Centre Museum in New York City. We had visited some of the world’s most beautiful treasures over the past few days of touring Florence and had seen surprisingly little security. 


Being from Israel, where you cannot enter a grocery store or a post office without being checked out by the watchful gaze of a security guard, we were actually feeling a little vulnerable. 

Going up the narrow winding stairwell of the Duomo’s cupola, without our bags being checked by security, made me a little fearful. The 460 steps were narrow and dark. There were so many people going up, we were often stuck in the humid darkness of a narrow stairwell. This was not an outing for those with claustrophobia. 

We finally exited at the top of this magnificent cathedral dome and circled the cupola within arm’s reach of the paintings that adorn the roof. The milling masses of people below looked like ants from this height. We marveled at the mastery of the floors, the ceilings and the sheer will that created such an architectural feat.

We walked outside above the skyline of Florence, treading atop the rooftop of this famous landmark.

Unbelievable that there was no security here.

The Accademia, which houses Michelangelo’s sculpture David had an x-ray machine for checking bags. The Uffizi had no security at the entrance.  The Pitti Palace, with its rooms full of art treasures, had no security at all.

Many, many churches, each an incredible masterpiece of its own, were open to the public without anyone scrutinizing the visitors or their bags. Maybe I have lived in Israel for too long and am paranoid, but I do know that the world has changed and is a much darker place. Europe is under threat, but no one in Florence could conceive of this.

That is, until we went to The Great Synagogue.  An army jeep was parked outside. The perimeter was fenced in by a thick chain. A high iron fence surrounded the synagogue while a glass triangle jutted out from the wall with bulletproof glass. Inside this outpost stood four armed Italian soldiers.

We walked in the kiosk of the synagogue. A woman behind bulletproof glass asked us to place all of our items in an x-ray machine and then place them in a locker.

“No phones, no cameras,” the woman at the ticket booth warned.



Next, we had to step one by one into a full body scanner, the kind they have at the airport, but rarely use. We stepped in one by one and exited though a glass door into the quiet garden of the synagogue.

From seeing no security outside the world’s finest treasures to this heightened security outside a 100-year-old synagogue in a place where few Jews live seemed absurd. Unfortunately, it is our new reality.

We toured the inside of the shul where fellow travelers played Jewish geography and then visited the Jewish ‘museum’ upstairs.

“Why is there a havdalah candle on the Shabbat table?” my daughter asked, pointing to the table in the display case.

“You would never have Shabbat candles and havdalah candles on a table together,” my sons comments. “It doesn’t make sense.”

Yes, this world does not make sense. Here again is a perfect example of how the world is slowly trying to erase us from the world map (just like Air France did a few weeks ago), placing Jews into a secure box for all to see, so museum visitors can press their noses against showcases and wonder what Jewish life was really like.

What they fail to understand is that we are still here, leading vibrant lives in many places across the globe, especially in a country called Israel. This is where our tables are set with the best china and silver each Friday night, laden with freshly made challahs and where Shabbat is ushered in with song. It is only after Shabbat ends that the havdalah candle comes out.


Tell that to the museum. Tell that to the world. We are still here and we refuse to be put behind a glass showcase.